{"id":11683,"date":"2025-12-01T11:42:03","date_gmt":"2025-12-01T16:42:03","guid":{"rendered":"https:\/\/coopvdi.ca\/?post_type=product&#038;p=11683"},"modified":"2026-03-18T10:30:11","modified_gmt":"2026-03-18T15:30:11","slug":"snell-keith-scale-skills-scales-arpeggios-chords-finger-exercises-level-3","status":"publish","type":"product","link":"https:\/\/coopvdi.ca\/en\/product\/snell-keith-scale-skills-scales-arpeggios-chords-finger-exercises-level-3\/","title":{"rendered":"Snell, Keith &#8211; Scale Skills : Scales, Arpeggios, Chords, Finger Exercises &#8211; Level 3"},"content":{"rendered":"<p data-start=\"317\" data-end=\"592\"><strong data-start=\"317\" data-end=\"359\">Keith Snell\u2019s <em data-start=\"333\" data-end=\"357\">Scale Skills \u2013 Level 3<\/em><\/strong> increases technical demands by introducing <strong data-start=\"403\" data-end=\"424\">two-octave scales<\/strong>, more keys, and fuller broken-chord patterns.<br data-start=\"470\" data-end=\"473\" \/>It is the level where students begin to work with <strong data-start=\"523\" data-end=\"541\">extended range<\/strong> and more systematic use of <strong data-start=\"569\" data-end=\"591\">major + minor sets<\/strong>.<\/p>\n<h3 data-start=\"594\" data-end=\"645\"><strong data-start=\"598\" data-end=\"645\">1. Major Scales (2 octaves, hands separate)<\/strong><\/h3>\n<p data-start=\"646\" data-end=\"669\">Commonly included keys:<\/p>\n<ul data-start=\"670\" data-end=\"782\">\n<li data-start=\"670\" data-end=\"721\">\n<p data-start=\"672\" data-end=\"721\"><strong data-start=\"672\" data-end=\"719\">C major, G major, D major, A major, E major<\/strong><\/p>\n<\/li>\n<li data-start=\"722\" data-end=\"782\">\n<p data-start=\"724\" data-end=\"782\">sometimes <strong data-start=\"734\" data-end=\"757\">F major or B\u266d major<\/strong> depending on the edition<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"784\" data-end=\"795\">Main goals:<\/p>\n<ul data-start=\"796\" data-end=\"930\">\n<li data-start=\"796\" data-end=\"851\">\n<p data-start=\"798\" data-end=\"851\">maintaining consistent fingering across two octaves<\/p>\n<\/li>\n<li data-start=\"852\" data-end=\"896\">\n<p data-start=\"854\" data-end=\"896\">smooth thumb-under motion in longer runs<\/p>\n<\/li>\n<li data-start=\"897\" data-end=\"930\">\n<p data-start=\"899\" data-end=\"930\">even sound from bottom to top<\/p>\n<\/li>\n<\/ul>\n<h3 data-start=\"932\" data-end=\"967\"><strong data-start=\"936\" data-end=\"967\">2. Minor Scales (2 octaves)<\/strong><\/h3>\n<p data-start=\"968\" data-end=\"985\">Usually includes:<\/p>\n<ul data-start=\"986\" data-end=\"1044\">\n<li data-start=\"986\" data-end=\"1044\">\n<p data-start=\"988\" data-end=\"1044\"><strong data-start=\"988\" data-end=\"1017\">A minor, E minor, D minor<\/strong> (natural + harmonic forms)<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"1046\" data-end=\"1109\">Students repeat the same pattern over two octaves, reinforcing:<\/p>\n<ul data-start=\"1110\" data-end=\"1206\">\n<li data-start=\"1110\" data-end=\"1128\">\n<p data-start=\"1112\" data-end=\"1128\">key signatures<\/p>\n<\/li>\n<li data-start=\"1129\" data-end=\"1154\">\n<p data-start=\"1131\" data-end=\"1154\">fingering consistency<\/p>\n<\/li>\n<li data-start=\"1155\" data-end=\"1206\">\n<p data-start=\"1157\" data-end=\"1206\">recognition of the raised 7th in harmonic minor<\/p>\n<\/li>\n<\/ul>\n<h3 data-start=\"1208\" data-end=\"1243\"><strong data-start=\"1212\" data-end=\"1243\">3. Primary Triads (I\u2013IV\u2013V7)<\/strong><\/h3>\n<p data-start=\"1244\" data-end=\"1282\">Triads in the same keys as the scales:<\/p>\n<ul data-start=\"1283\" data-end=\"1403\">\n<li data-start=\"1283\" data-end=\"1301\">\n<p data-start=\"1285\" data-end=\"1301\">blocked triads<\/p>\n<\/li>\n<li data-start=\"1302\" data-end=\"1328\">\n<p data-start=\"1304\" data-end=\"1328\">I\u2013IV\u2013V7\u2013I progressions<\/p>\n<\/li>\n<li data-start=\"1329\" data-end=\"1403\">\n<p data-start=\"1331\" data-end=\"1403\">hands separate (the series rarely requires hands together at this stage)<\/p>\n<\/li>\n<\/ul>\n<h3 data-start=\"1405\" data-end=\"1424\"><strong data-start=\"1409\" data-end=\"1424\">4. Cadences<\/strong><\/h3>\n<p data-start=\"1425\" data-end=\"1502\">Short harmonic patterns for each key, slightly more complete than in Level 2:<\/p>\n<ul data-start=\"1503\" data-end=\"1571\">\n<li data-start=\"1503\" data-end=\"1513\">\n<p data-start=\"1505\" data-end=\"1513\">I\u2013IV\u2013I<\/p>\n<\/li>\n<li data-start=\"1514\" data-end=\"1524\">\n<p data-start=\"1516\" data-end=\"1524\">I\u2013V7\u2013I<\/p>\n<\/li>\n<li data-start=\"1525\" data-end=\"1571\">\n<p data-start=\"1527\" data-end=\"1571\">IV\u2013I or V\u2013I for ear training reinforcement<\/p>\n<\/li>\n<\/ul>\n<h3 data-start=\"1573\" data-end=\"1623\"><strong data-start=\"1577\" data-end=\"1623\">5. Broken Triads \/ Early Arpeggio Patterns<\/strong><\/h3>\n<p data-start=\"1624\" data-end=\"1667\">Broken-chord patterns become more extended:<\/p>\n<ul data-start=\"1668\" data-end=\"1761\">\n<li data-start=\"1668\" data-end=\"1707\">\n<p data-start=\"1670\" data-end=\"1707\">root\u2013third\u2013fifth\u2013octave\u2013fifth\u2013third<\/p>\n<\/li>\n<li data-start=\"1708\" data-end=\"1761\">\n<p data-start=\"1710\" data-end=\"1761\">octave-spanning patterns preparing true arpeggios<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"1763\" data-end=\"1846\">This level is a <strong data-start=\"1779\" data-end=\"1799\">transition stage<\/strong> before full arpeggios appear in higher levels.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Keith Snell\u2019s Scale Skills \u2013 Level 3 increases technical demands by introducing two-octave scales, more keys, and fuller broken-chord patterns.It is the level where students begin to work with extended range and more systematic use of major + minor sets. 1. Major Scales (2 octaves, hands separate) Commonly included keys: C major, G major, D major, A major, E major sometimes F major or B\u266d major depending on the edition Main goals: maintaining consistent fingering&hellip;<\/p>\n","protected":false},"featured_media":11682,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[127,129],"product_tag":[],"class_list":["post-11683","product","type-product","status-publish","has-post-thumbnail","product_cat-harmony-books","product_cat-musical-theory","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"acf":[],"_links":{"self":[{"href":"https:\/\/coopvdi.ca\/en\/wp-json\/wp\/v2\/product\/11683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/coopvdi.ca\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/coopvdi.ca\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/coopvdi.ca\/en\/wp-json\/wp\/v2\/media\/11682"}],"wp:attachment":[{"href":"https:\/\/coopvdi.ca\/en\/wp-json\/wp\/v2\/media?parent=11683"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/coopvdi.ca\/en\/wp-json\/wp\/v2\/product_brand?post=11683"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/coopvdi.ca\/en\/wp-json\/wp\/v2\/product_cat?post=11683"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/coopvdi.ca\/en\/wp-json\/wp\/v2\/product_tag?post=11683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}